Conflict is what makes us want to keep reading; it’s what makes the story interesting. Conflict is not equivalent to fighting; it is two people wanting different things. If the heroine wants to meet the hero, but can’t get close enough to say hello, that’s conflict. If the hero has a plan that can save the kingdom, but he’s too shy to speak up, that’s conflict. And yes, if an unmarked SUV tries to run your protagonist off the road, that’s conflict.
Let me tell you about one book that made me want to scream. For several chapters the Amish protagonist had been slacking in her farm chores. She had a good (and secret) reason for it, but to her father it looked like she was lazy and irresponsible. The father is getting impatient, she’s getting worried, and the tension is delightful. But when I turn the page, I get three pages describing the family’s produce stand and ONE paragraph that says ‘Dad sure was mad at me last night. I guess I need to step it up’. I was looking forward to that fight. Will her dad lecture or yell? Will she defend herself or take it? Will she finally spill the beans about her secret? How will their relationship change as a result of this discussion?
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Instead, I got boring nothing. Conflict is hard to write, but it has to be there in every scene. That’s right, every scene. Kurt Vonnegut said “every character should want something, even if it’s just a glass of water”.